Tag Archives: Manchester

Frank Turner – The Refectory Leeds Uni Friday 19 April 2013

Last night I achieved one of my ambitions.

Ever since I started gigging at the tender age of 14 I have wanted to watch a band on the balcony of the Refectory at Leeds University, (one of my favourite venues along with The Apollo in Manchester and the Rock City in Nottingham).  Yes since I was 14, I have looked up at the people leaning over above my head, and wondered who they were and how they managed to be there.  I always thought they must be with band and lead glamorous and exciting lives.   And last night when we gave our names for the guest list, the girl said “These are for the balcony” almost as if we would be disappointed.  Of course I managed to walk away very nonchalantly as if this happened all the time but inside my 14-year-old self was whooping and cheering and clapping her teenage heart out.

So up to the balcony we went, and it was not a let down, in fact I think I am now spoilt for life.  It was amazing.  Front Row.  Perfect view of the stage.  I love the Refectory at Leeds Uni because it is large enough to create an exciting atmosphere and yet intimate enough to allow you to feel part of the gig.    And Frank Turner and the Stepping Souls put on a show that takes over you entirely until you are dancing, sweat running down your face, arms aloft with pure exhilaration.

I had been lent his album, England Keep My Bones and I must admit it didn’t grab me at first, but it was a true grower.  Somehow though those tunes, and then the words seeped into my head and my heart and drew me in.   Slowly at first but then very surely and entirely.  So by the time an offer of tickets came up I was very excited.

Frank Turner is an artist you need to see live.  The album is wonderful, but he is at his best live.   His music is folky singer-songwriter, a man in a white shirt, jeans and his guitar. There is a similarity to Billy Bragg in sound, but live the power and energy of the band is surprising.  It is raw, intense and infectious.  The bassist player rocked out in a way that could be described as freaking out, such was his passion.   There were quieter songs too, when it was just Frank on his own, just his voice and his guitar and he held the audience in the palm of his hand.

As I was above the crowd I watched the patterns they made.  The way they stood so patiently before the band came on, gave no clue to how much of a moshpit it would become the moment the first chord was played.  It was like watching storm coming, waves of people crashing into each other. But a very good-natured English storm,  a couple of times people were on the floor, but  hands were extended straight away to pick them up. You could imagine the “sorrys” “no no my fault”.  They would make massive circles, and then all run into the middle during a very rousing chorus, like an adult and quite physical version of the oke cokey!  They also all sat down during one song and then jumped up in unison.  Frank commented on the sitting down thing, so it must be a regular occurance at his gigs.

I don’t know all the songs but I recognised Peggy Sings the Blues, I am Disappeared, Recovery (the new single), Wessex Boy, Glory Hallelujah and my favourite If I ever stray.  They were on stage from 9.15 until 10.45 with customary 3 song encore taking it to 11 pm.

The music, it is folk,  but with the power and energy of punk.  The tunes made me think of sea shanties.  When the crowd were singing along with Frank, word-perfect, maybe an English Pogues is the closest description I could find.  There is something spine-tingling isn’t there listening to a crowd that love the artist performing so much and you hear the love and the passion in every syllable.  These treasured songs listened to over and over again, in the car, in their bedrooms, in the headphones.  As Frank says Rock and Roll has saved us, there is a song for every time we win and every time we lose too.  Frank Turner and the Stepping Souls certainly won my heart last night.

This is a version of If I ever stray recorded at Wembley, Frank’s voice does sound a little hoarse but it doesn’t detract from the performance.  Do download England Keep My Bones, you won’t be disappointed in these English folk songs, these lyrical ballards telling tales of our ancient and modern times.


Made of Stone

It is with great sadness and a very heavy heart that I announce the reformation of The Stone Roses.

The Stone Roses. The Stone Roses. The STONE ROSES. How am I not overjoyed? how is this not the news I have been waiting for since that acrimonious break up in 1996?

The unmistakable sound of my halcyon days. John Squires’ pure jangling guitar like a clarion call for indie dreamers everywhere. Ian Brown, never the greatest singer, but whose words and delivery broke down the berlin wall dividing ravers and indie kids.  The man who spawned a thousand Liams.  Mani and Reni must not be overlooked either.  Their  funk rhythm and beats were the backbone of the group, never more gloriously displayed than in Fools Gold.

I would go to sleep every night listening to the eponymous first album, the hardest decision being whether to listen to the first or second side.  I know, this was a time of the cassette.  A cassette I might add I bought in a Woolworths.  Another lost feature in our landscape, something else that has disappeared from our modern world.

I must confess my love for the Roses did take some time, I had to fully embrace the culture before I completely fell in love with them.  I was working in London when I first heard them, thinking this is the place where everything happens first.  Everything had always happened first in London.  I had vowed to myself to be at the vanguard of the next music scene after being born just too late for punk.  Of course the delicious irony was that it  was happening 50 odd miles from where I grew up, Manchester.  Madchester was the capital of indie dance and the emerging baggy culture.  I watched from afar, learning about Spike Island and the Hacienda from front covers of The Face magazine.  That bible of indie style and culture.

But catch up I did, and boy did I fall for the Stone Roses hard.  They sang they wanted to be adored.  And they got their wish.   Their music to me was beyond compare, as harmonious as the Byrds or Simon and Garfunkel and as political as the Specials.  Every note was sublime, utterly utterly glorious.   Like all fans I sat through the five long years of the legal dispute with the record company Silvertone, hoping and praying and dreaming and willing the follow-up into existence.

The Second Coming.  Was there ever an album more aptly named?  To sum up the almost religious fervour and anticipation.  And was there ever an album more instantly rejected? Yet when you really listened even though it was heavier and darker and more intense, it was another masterpiece.  Just listen to Love Spreads and tell me it isn’t.

They toured again in 1995-6.  I didn’t go and see them.  For one reason only.  Performing live was not their forte, and  I was, still am, very prone to stop listening to bands if they can’t do it live. The Roses were too precious to me for that to happen, and so I stayed at home,  I preserved their memory, enshrined in those two perfectly recorded albums, to be revered forever. Pristine and in tact, unblemished.

This is why I am not joining the ranks of the adoring fans queuing up to buy tickets tomorrow for their home-coming at Heaton Park next June.  I can not have my cherished memories destroyed at this late stage now by something as prosaic as a poor live performance.  My head says they can’t play any better live now, so reality now would only spoil everything.

But if they were to get it together live, am I ready for the reality of  the voice of a 50 something grey haired man singing hymns to his disaffected youth, and not hitting the notes as he once (well almost) did?   In all honestly I don’t want to remember them in any other way than those four fresh-faced Manc lads, because in my head I don’t feel any different to that girl who listened to their music every night  to fall asleep and I don’t want that to change ever.